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Esther Eng and Other Challenges to Women and World Cinema. Columbia University
Dorothy Arzner has long provided the paradigm for subversive feminist filmmaking and the inspiration for a number of key questions concerning the (in)visibility and agency of female filmmakers in 20th century Hollywood. However, as S. Louisa Wei’s documentary Golden Gate Girls (2013) reveals, Arzner’s contemporary Esther Eng, a Chinese-American, openly-lesbian director, producer, and distributor working in Hong Kong, San Francisco, and New York, offers a new paradigm for worl
